I always try to get as excited as possible about the Academy Awards, that time-honored annual tradition in which Hollywood enrages the nation’s cinephiles by consistently displaying the most remarkable lack of good taste and common decency imaginable.

Technical complications at the “Haywire” screening I attempted to attend have left me without a film to review this week (we’ll catch up with that one next time, along with the Liam Neeson survival thriller “The Grey”). But this is just as well, I suppose, considering that the recent Oscar nominations have inspired more controversy than I’ve ever seen associated with the Academy Awards, and of course I have some choice thoughts about that.

I could go on a rambling, ill-tempered rant about the shocking lack of worthwhile films released in 2011. I could easily wallow in righteous indignation, and throw up my hands in disgust and defeat as I impotently curse Hollywood’s artistic bankruptcy and offer my own theories as to why last year saw the worst theater attendance numbers in 16 years. And I’d be right to do it. But this time of year, I prefer to ignore the crazed, rampaging elephant in the room and instead celebrate the few diamonds in the rough that kept me from completely losing my mind over the course of the past 12 months. So let’s get to it:

Hope you all had a great Christmas and are enjoying the final hours of 2011. My holiday season has been quite relaxing indeed, with the exception of the screening blitz I’ve been embroiled in since I realized the first draft of my year-end top 10 list was woefully inadequate. I’m trying to cram in as many movies as I can before my list is due for publication next week, and the experience has been mind-reeling but, of course, invigorating in  its own way.

I had promised reviews of “Tinker Tailor Soldier Spy” and “The Sitter” this week, but those plans were altered by the fact that my online source for such matters had listed an incorrect wide release date for the former, and the nation’s critics and moviegoing public have convinced me that I should skip the latter. So we are left with “The Descendants,” now playing in general release after generating incredible word of mouth during its run on the art-house circuit. I found it to be consistently engaging yet slightly disappointing given the buzz, but your mileage may vary.

The following films are opening Friday: