In Milo Radulovich's living room in Lodi, a black-and-white image fills his Sony TV screen. TV journalist Edward R. Murrow wears a black pinstriped suit and puffs on a cigarette. White smoke curls around him, as he introduces the show.
In the next shot, a young Radulovich appears on this screen, wearing a dark sweater and collared shirt. His hair, too, is dark and thick, and he has a solid frame. His eyes, focused and expressive, are the same.