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'Cabaret' (****)
Classic continues to outperform most modern musicals
News-Sentinel film critic
With their elaborate sets and complex choreography, most contemporary musicals dwarf their old-Hollywood predecessors in terms of visual spectacle and soul-stirring intensity. However, there is one classic that in turn continues to make most modern musicals seem rather silly and irrelevant by comparison. And what else could I be speaking of besides "Cabaret," Bob Fosse's 1972 adaptation of the blockbuster Broadway play set against the backdrop of the Nazis' rise to power in 1930s Germany.
Sure, it's a story with an important message about the seductive power of evil ("Tomorrow Belongs to Me" still sends chills through my spine whenever I think about it), but beyond that, it's also one of the most viscerally thrilling musicals ever made, with song and dance numbers that continue to captivate despite their relative simplicity.
Credit its staying power not only to Fosse's Oscar-winning direction, but also to the film's phenomenal cast headed by Liza Minnelli (also an Oscar winner) as Sally Bowles, an ostensibly carefree American girl working in Berlin as a cabaret dancer. Intoxicated by personal freedom, she falls in love with the brand of immoral instant gratification afforded to her by the bohemian lifestyle. These ideals are challenged when she falls in love with Brian (Michael York, in one of his only truly memorable roles), a sexually confused English teacher who takes life a bit more seriously than Sally, but nonetheless finds himself drawn into her life.
Of course, "Cabaret" wouldn't be "Cabaret" without Joel Grey (yet another Oscar winner for his work here) as the emcee of the Kit-Kat Club, where Sally headlines. We only see him on stage, and he has no outside contact with the other characters. Even so, he's the film's dominant thematic force: always lurking, flashing his impish smile, inviting you to come join in the liberating festivities. He's the face of evil incarnate — an evil made all the more dangerous by the fact that it looks so innocent. When he finally bares his teeth during a performance of the deceptively sweet love song "If You Could See Her," it's unsettling yet strangely inevitable.
In addition to stellar acting and imaginative direction, "Cabaret" also boasts one of the all-time great movie soundtracks. From the opening numbers of "Willkomen" and "Mein Herr" to Minnelli's defiant rendition of the powerhouse closing title song, the bawdy nightclub scenes would qualify the film as a masterpiece even if the rest of the narrative were stripped away.
"Cabaret" is rated PG for language, violence, sexual content and mature themes.

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